This article concentrates on two twenty-first century examples of popular ‘ecocinema’ in order to ask what moving images accomplish when they take on the scale
After Baruchello: Agricultural Encounters in Contemporary Art
This chapter identifies a cultural turn towards political ecology, in the sense that Bruno Latour defines it, primarily due to the contentiousness within pre-established categories
Kurt Schwitters and 27 Senses: Resonances in Norway, England and Time
In the 1990s, Hal Foster observed that ethnographic or politicized art practices were diverging from a neo-avant-gardiste precedent: an investment in the remobilization of historic
A Withdrawing Vital Material
Taking the plight of the British honeybee as a point of departure, this article considers the coded implications, organic materiality, and medium-specificity of honey by
‘You Must Carry Me Now’
Review of Mark Wilson and Bryndis Snæbjörnsdottír’s exhibition catalogue: You Must Carry Me Now – The Cultural Lives of Endangered Species http://www.antennae.org.uk/reviews-carry-me/4592226216
Poetic Spaces, Baroque Contexts, Differential Habitats
‘…artifice was considered by Des Esseintes to be the distinctive mark of human genius. Nature, he used to say, has had her day…’ (22). The
