Author: conceptualecologies

In the 1990s, Hal Foster observed that ethnographic or politicized art practices were diverging from a neo-avant-gardiste precedent: an investment in the remobilization of historic

Taking the plight of the British honeybee as a point of departure, this article considers the coded implications, organic materiality, and medium-specificity of honey by

Review of Mark Wilson and Bryndis Snæbjörnsdóttir’s exhibition catalogue: You Must Carry Me Now – The Cultural Lives of Endangered Species http://www.antennae.org.uk/reviews-carry-me/4592226216

‘…artifice was considered by Des Esseintes to be the distinctive mark of human genius. Nature, he used to say, has had her day…’ (22). The

Review of Cecelia Novero’s book: Antidiets of the Avant-garde: From Futurist Cooking to Eat Art http://www.tandfonline.com/toc/tpar20/19/1

This article takes the work of the Austrian collective AO& as its primary case study. Immanuel Kant’s concept of ‘civilized bliss’, as considered by Peter