Author: conceptualecologies

This article concentrates on two twenty-first century examples of popular ‘ecocinema’ in order to ask what moving images accomplish when they take on the scale

This chapter identifies a cultural turn towards political ecology, in the sense that Bruno Latour defines it, primarily due to the contentiousness within pre-established categories

In the 1990s, Hal Foster observed that ethnographic or politicized art practices were diverging from a neo-avant-gardiste precedent: an investment in the remobilization of historic

Taking the plight of the British honeybee as a point of departure, this article considers the coded implications, organic materiality, and medium-specificity of honey by

Review of Mark Wilson and Bryndis Snæbjörnsdóttir’s exhibition catalogue: You Must Carry Me Now – The Cultural Lives of Endangered Species http://www.antennae.org.uk/reviews-carry-me/4592226216 Antennae: The Journal

‘…artifice was considered by Des Esseintes to be the distinctive mark of human genius. Nature, he used to say, has had her day…’ (22). The